Future
Talent grew out of one person's direct experience. After
teaching
music in one Primary school for 12 years, Katharine
Kent quickly became aware that there were children of considerable
or in some cases exceptional talent who were not being recognised
or acknowledged. This made her think that if such children
were found in one area in this case East Hull then how many
might there be all over the country?
Future
Talent will be an initial guiding force for talented young
people of Primary school age. Our concept is simple if
children
see music as a goal they wish to pursue
then we will not only actively encourage them, but will also
monitor, fund and advise each individual as they progress.
Music
forms an essential element in our society. It is the right
of every child to have access to that art. The present spotlight
on the improvement of the arts in general in schools is both
significant and stimulating. Future Talent is pledged to support
these initiatives whilst focusing on those who emerge with
an ability and aptitude for music.
Professor
Edward Gregson, principal of the Royal Northern
College of Music and chair of the new organisation
Conservatoires UK, says:
To our collective concern, the most recent data has demonstrated
that over the past five years or so, fewer children from the
state sector are coming to conservatoires. Professor Curtis
Price, principal of the Royal Academy of Music, states that
the problem stems from a lack of sufficiently trained young
musicians from the state sector . Furthermore, he adds that
this has been precipitated by the withdrawal of free instrumental
teaching in state schools since the 1980s.
The
Music Manifesto, Youth Music, Future Talent and all the other
positive initiatives of recent times are only the beginning
of a long journey to regain lost ground. It will take a number
of years yet for the results to improve.
Andy
Swallow, Head of Schools Achievement &
Standards in Hull, shows his support of Future Talent
in the following statement:
I
have always been an advocate of specialist music teaching
from an early age. There is no question that music can
make
a significant contribution to children s general listening
and speaking skills, widen their understanding and use
of
language, and improve their general poise and confidence.
Rehearsing and performing with others creates an early
appreciation
for ‘teamship’ and collaboration. They develop
key attitudes such as tolerance, patience, respect. There
is no question that musical experiences, at an early age,
foster concentration and determination, can increase aural
memory, can raise expectations of individuals and others,
contributing massively to feelings of self-worth and self-belief.
There
is no question about the essential need for outside support
in this area. Schools are desperate these days to recognise
and reward, wherever possible, the talents of all children,
not just the academic gifts of the few.